I’ve never heard any author say, “My first couple of published books were good. So now, I don’t care if I bomb my future books.”
No. Most often, I hear authors say, “I want to keep on studying the craft of fiction-writing so that I get better with each book I write.”
I believe most writers truly do desire to continue improving their writing skills and story-telling ability.
Why, then, do some authors grow stagnant or decline in writing skill as they publish more books? Occasionally, I pick up books by well-known, multi-published authors and find myself disappointed with the quality of the story and writing.
I can’t help but think those authors want to get better with each book they write too, that they didn’t intend to publish something mediocre. Like the rest of us, they desire to wow their readers with each book.
So what happens? Why do we—against our best intentions—fail to produce better quality books with each one we write?
The more books I complete, the more I’m realizing how difficult it is to keep producing fresh, vibrant stories. And I'm beginning to see how multi-published authors can sometimes end up with a lack-luster novel.
Here’s my evolving opinion: When we reach a point of having written numerous books, we have to continually push deeper into the recesses of our minds to find original, creative, and fresh material for our stories. We have to dig around in the untouched areas of our imagination to bring out something new. And that digging requires a lot of effort.
Sometimes amidst the busyness of the writing life, we don’t always have the time and energy to go that extra mile. We’re working hard to keep up with deadlines or trying to get our books out in quick succession. Instead of shoveling deep and finding new treasures, we sift through the front lobe of our brains and rehash the old stuff—because it’s easier to stay there.
Here are five ways we can get lazy:
1. Using Cliches. Most of us know we need to avoid those well-known clichés. But the more books we write, the harder it gets to find original ways of saying things and the clichés start to creep in. We have to remember if the phrase slips easily off our tongue, then it’s likely one we should avoid. I’ve found that I can reduce clichés by using more similes and metaphors—especially those that relate to my character’s interests or to the setting.
2. Telling of Emotions. Another major way writers get lazy is when we decide to tell how our character feels rather than showing it. We obviously can’t always show every little emotion and detail. Sometimes we have to name the emotion to clarify what’s going on. But when we’re tired and writing fast, we may find ourselves telling too many emotions rather than going to the hard work of showing them. We need to make sure that we’re mostly bringing our character’s feelings to life through dialog, actions, or internal narration.
3. Overusing Adjectives and Adverbs. I’m not an all-or-nothing gal. I still believe in adjectives and adverbs—if used in moderation, particularly when we can’t find a strong enough noun or verb to fit the situation. But . . . as with clichés and telling of emotions, it’s so much easier and quicker to tack on an adjective or adverb. Instead, we need to persevere to find a stronger, more telling word.
4. Camping on Pet Phrases. I always seem to land upon a pet word or phrase while writing my first draft. Thankfully, if I don’t catch the phrases myself, my editors alert me to the repetition. A simple search for the word can help me locate the trouble areas, and I’m able to delete some or find more creative ways to express that pet phrase. What I’m now noticing is that I have to be careful of overusing phrases between books as well. That’s a little bit harder to catch.
5. Rehashing the Same Plot or Story. After we’ve written multiple books, we may begin to find that our stories start to sound the same, have similar threads, or even have characters that resemble one another. Perhaps you’ve even gotten tired of a favorite author because “all the stories are too much alike.” Yes, our voices will remain the same in all our books. But we can’t let our voice be an excuse for getting too comfortable with the same old, same old. We need to constantly be exploring new plot territory and searching for unique and fresh stories.
My Summary: Indeed the task before the modern writer is daunting. The bar continually rises. If we hope to keep our readers happy with each book we write, then we can’t afford to get lazy. We have to resist what comes easily to our minds, and instead be ever-exploring deeper into the creative labyrinths of our imaginations.
How about you? Have you ever gotten tired of an author because his or her books started to sound the same? Why do you think some authors seem to get "lazy"?
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